机读格式显示(MARC)
- 000 03981cam a2200529 i 4500
- 008 170912s2018 enka b 001 0 eng
- 020 __ |a 9781474226196 |q hardcover
- 020 __ |a 1474226191 |q hardcover
- 020 __ |a 9781474226189 |q paperback
- 020 __ |a 1474226183 |q paperback
- 040 __ |a DLC |b eng |e rda |c DLC |d YDXCP |d BTCTA |d BDX |d QGJ |d OCLCF |d OCLCO |d QGK |d QGJ |d YDX |d OCLCO |d ZWZ
- 050 00 |a N6494.P6 |b P6545 2018
- 082 00 |a 709.04/071 |2 23
- 099 __ |a CAL 022018092077
- 245 00 |a Pop art and design / |c edited by Anne Massey and Alex Seago.
- 264 _1 |a London, UK ; |a New York, NY, USA : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, |c 2018.
- 300 __ |a 208 pages : |b color illustrations ; |c 26 cm
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references and index.
- 505 00 |g Introduction / |r Anne Massey and Alex Seago -- |g 1. |t Popular art, Pop Art, and 'the boys who turn out the fine arts' / |r Catherine Moriarty -- |g 2. |t Cecil Beaton, Richard Hamilton and the Queer, Transatlantic Origins of Pop Art / |r Dominic Janes -- |g 3. |t Althea McNish and the British African diaspora / |r Christine Checinska -- |g 4. |t Programming Pop Art and Design / |r Anne Massey -- |g 5. |t ARK Magazine: the Royal College of Art and early British Art School Pop / |r Alex Seago -- |g 6. |t Prologue to Edward Wright, 'Chad, Kilroy, the cannibal's footprint and the Mona Lisa' first published in ARK 19 (Spring 1957) / |r Ann Pillar -- |g Facsimile of article / |r Edward Wright -- |g 7. |t Pauline Boty: Pop Artist, pop persona, performing across the 'long front of culture' / |r Sue Tate -- |g 8. |t A Dedicated Follower of Fashion' / |r Alistair O'Neill -- |g 9. |t 'Where is this pop?' In Search of the British Pop Poster / |r Rick Poynor and Alex Seago.
- 520 __ |a "This book offers the first in-depth analysis of the relationship between art and design, which led to the creation of 'pop'. Challenging accepted boundaries and definitions, the authors seek out various commonalities and points of connection between these two exciting areas. Confronting the all-pervasive 'high art / low culture' divide, Pop Art and Design brings a fresh understanding of visual culture during the vibrant 1950s and 60s. This was an era when commercial art became graphic design, illustration was superseded by photography and high fashion became street fashion, all against the backdrop of a rapidly-evolving economic and political landscape, a glamorous youth scene and an effervescent popular culture. The book's central argument is that pop art relied on and drew inspiration from pop design, and vice versa. Massey and Seago assert that this relationship was articulated through the artwork, design, publications and exhibitions of a network of key practitioners. Pop Art and Design provides a case study in the broader inter-relationship between art and design, and constitutes the first interdisciplinary publication on the subject"-- |c Provided by publisher.
- 648 _7 |a 1900-1999 |2 fast
- 650 _0 |a Art and design |x History |y 20th century.
- 650 _7 |a DESIGN / History & Criticism. |2 bisacsh
- 650 _7 |a DESIGN / Graphic Arts / General. |2 bisacsh
- 650 _7 |a ART / Criticism & Theory. |2 bisacsh
- 650 _7 |a ART / Popular Culture. |2 bisacsh
- 650 _7 |a Art and design. |2 fast
- 650 _7 |a Pop art. |2 fast
- 650 _7 |a Art et design |y 1945-.... |2 ram
- 650 _7 |a Pop'art. |2 ram
- 700 1_ |a Massey, Anne, |d 1956- |e editor. |0 http://id.loc.gov/authorities/names/nr91005643
- 700 1_ |a Seago, Alex, |e editor. |0 http://id.loc.gov/authorities/names/n93056128
- 921 __ |a CASHL |b CEPIEC |c 9781474226196
- 950 __ |a JHUL |b J110.95 |c P825