机读格式显示(MARC)

• 000 02924cam a2200517 i 4500

• 001 0000877801

• 003 CAL

• 005 20181203104300.0

• 008 161025s2017 enkag b 001 0 eng

• 010 __ |a 2016049110

• 020 __ |a 9781138694422

• 020 __ |a 1138694428

• 020 __ |a 9781472479389

• 020 __ |a 1472479386

• 020 __ |z 9781315208879

• 020 __ |z 1315208873

• 040 __ |a DLC |b eng |c DLC |e rda |d OCLCO |d BDX |d OCLCF |d OCLCQ |d YDX |d YDX |d OCLCO |d BTCTA |d ERASA |d INU |d CHVBK |d OCLCO |d DLC

• 042 __ |a pcc

• 050 00 |a ML3877 |b .B83 2017

• 082 00 |a 781.5/3 |2 23

• 090 __ |a J601/B922

• 093 __ |a J601 |2 5

• 099 __ |a CAL 022018027696

• 100 1_ |a Buck, David N., |e author.

• 245 12 |a A musicology for landscape / |c David Nicholas Buck.

• 264 _1 |a London ; |a New York : |b Routledge, Taylor & Francis Group, |c 2017.

• 300 __ |a xx, 178 pages : |b illustrations, music ; |c 23 x 25 cm.

• 336 __ |a text |b txt |2 rdacontent

• 336 __ |a still image |b sti |2 rdacontent

• 336 __ |a notated music |b ntm |2 rdacontent

• 337 __ |a unmediated |b n |2 rdamedia

• 338 __ |a volume |b nc |2 rdacarrier

• 490 1_ |a Design research in architecture

• 504 __ |a Includes bibliographical references (pages 167-174) and index.

• 520 __ |a "Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields."-- |c Provided by publisher.

• 648 _7 |a 1900-1999 |2 fast

• 650 _0 |a Music |y 20th century |x Philosophy and aesthetics.

• 650 _0 |a Landscape architecture.

• 650 _7 |a Landscape architecture. |2 fast

• 650 _7 |a Music |x Philosophy and aesthetics. |2 fast

• 650 _7 |a Landschaftsarchitektur |2 gnd

• 650 _7 |a Musik |2 gnd

• 830 _0 |a Design research in architecture.

• 920 __ |a 242450 |z 1

• 921 __ |a CASHL |b CEPIEC |c 9781472479389

• 950 __ |a JHUL |b J601 |c B922