机读格式显示(MARC)
- 000 02879cam a2200373 i 4500
- 008 180719s2020 enka b 001 0 eng d
- 020 __ |a 1474280463 |q hardback
- 020 __ |a 9781474280464 |q hardback
- 020 __ |a 9781474280457 |q paperback
- 020 __ |a 1474280455 |q paperback
- 040 __ |a YDX |b eng |e rda |c YDX |d OCLCQ |d ERASA |d UKMGB |d OCLCO |d OCLCF |d YDXIT |d NYP |d YDX
- 050 _4 |a ML3790 |b .B37 2020
- 082 04 |a 338.76178 |2 23
- 100 1_ |a Bartmanski, Dominik, |d 1978- |e author.
- 245 10 |a Labels : |b making independent music / |c Dominik Bartmanski and Ian Woodward.
- 264 _1 |a London ; |a New York : |b Bloomsbury Academic, |c 2020.
- 300 __ |a xviii, 307 pages : |b illustrations ; |c 24 cm
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references (pages 289-294) and index.
- 505 0_ |a Prologue : 'you can't put a price on freedom' -- Introduction : understanding independent labels -- Being independent -- Material economy -- Symbolic economy -- Urban ecology -- Epilogue : writing independent culture.
- 520 __ |a Labels reveals the complexity of the current independent record label landscape in an industry that is bigger than ever but more fragmented, and dominated by just a few major corporate labels. As music genres multiply rapidly, and with unprecedented numbers of people engaging in music production and distribution, what significance do traditional record labels still have? Dominik Bartmanski and Ian Woodward show how, in a digitally (over)saturated market, labels act as specialised filters, taste-makers and identity markers--making their curatorial and scene-making roles more pronounced than ever. Concentrating on labels within independent electronic music, the authors reconstruct the aesthetics and ethics of various styles, drawing on over 40 interviews with key players from cutting-edge music scenes in Europe, Australia, Latin America, and the USA. They focus both on established and new imprints, showing how they are embedded in local urban communities as well as trans-national networks, for example Ninja Tune in London, Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los Angeles, or Goma Gringa in Sao Paulo. Written by the authors of Vinyl, this book is essential reading for music lovers, music professionals and researchers and students with an interest in contemporary recording industry, independent music, material culture, anthropology, sociology, media and cultural studies.
- 650 _0 |a Sound recordings |x Social aspects.
- 650 _0 |a Sound recording industry.
- 700 1_ |a Woodward, Ian |c (Sociologist), |e author.