机读格式显示(MARC)
- 000 03119cam a2200493 i 4500
- 008 180502s2018 dcua bc f001 0 eng d
- 020 __ |a 9780300236736 |q (hardcover)
- 040 __ |a DGPO/DLC |b eng |e rda |c DGPO
- 050 00 |a ND553.C8 |b M68 2018
- 099 __ |a CAL 022019004309
- 100 1_ |a Morton, Mary G., |e author.
- 245 10 |a Corot : |b women / |c by Mary Morton ; with David Ogawa, Se?bastien Allard, and Heather McPherson.
- 264 _1 |a Washington, DC : |b National Gallery of Art ; |a New Haven and London : |b Yale University Press, |c [2018]
- 300 __ |a 179 pages : |b illustrations ; |c 29 cm
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 500 __ |a Exhibition dates: National Gallery of Art, Washington, September 9 - December 30, 2018.
- 504 __ |a Includes bibliographical references and index.
- 520 __ |a United here for the first time, the paintings of women by Jean-Baptiste-Camille Corot (1796-1875) constitute a small but stunning and important body of work. Corot: Women offers a new appraisal of these intriguing figures by one of the nineteenth century's great masters of landscape. The women painted by Corot read, dream, and gaze at the viewer, conveying an independent spirit and a sense of their inner lives. Corot's handling of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. Although these paintings constitute a relatively small and little-known portion of his oeuvre, they were of great importance to the founders of modernist painting, including Paul Ce?zanne, Pablo Picasso, and Georges Braque. This publication features more than forty paintings by Corot--from the single-figure bust and full-length images of the 1840s through the 1860s nudes and his allegorical series devoted to the model in the studio. Essays by leading experts address Corot's debt to the old masters and the impact of his pictures on both nineteenth- and twentieth-century painting, the relationship of his figural work to his more famous landscape practice, his response to the shifting social position of artists' models, and the incursion of photography into artistic practice in the Second Empire and early Third Republic--Provided by publisher.
- 542 __ |c Board of Trustees, National Gallery of Art |f Copyright |g 2018
- 600 10 |a Corot, Jean-Baptiste-Camille, |d 1796-1875 |v Exhibitions.
- 650 _0 |a Women in art |v Exhibitions.
- 650 _0 |a Painting, French |y 19th century |v Exhibitions.
- 700 1_ |a Ogawa, David, |e author.
- 700 1_ |a Allard, Se?bastien, |e author.
- 700 1_ |a McPherson, Heather, |e author.
- 710 2_ |a National Gallery of Art (U.S.), |e publisher.
- 710 2_ |a Yale University Press.
- 921 __ |a CASHL |b CEPIEC |c 9780300236736