机读格式显示(MARC)

• 000 02671cam a2200385 i 4500

• 001 0000910010

• 003 OCoLC

• 005 20201019131600.0

• 008 171215t20182018nyua b 001 0 eng

• 010 __ |a 2017060015

• 020 __ |a 9781501333231 |q hardcover |q alkaline paper

• 020 __ |a 1501333232 |q hardcover |q alkaline paper

• 020 __ |z 9781501333248 |q electronic book

• 020 __ |z 9781501333255 |q electronic PDF

• 040 __ |a DLC |b eng |e rda |c DLC |d ERASA |d OCLCQ |d OCLCF |d OCLCO |d YDX |d OCLCO |d YUS |d OBE

• 050 _4 |a PN1995.9.S6 |b M338 2018

• 082 04 |a 070.1/8 |2 23

• 090 __ |a J90-02/M425

• 093 __ |a J90-02 |2 5

• 245 00 |a Materializing memories : |b dispositifs, generations, amateurs / |c edited by Susan Aasman, Andreas Fickers, and Joseph Wachelder.

• 264 _1 |a New York, NY, USA : |b Bloomsbury Academic, |c 2018.

• 300 __ |a viii, 277 pages : |b illustrations ; |c 24 cm

• 336 __ |a text |b txt |2 rdacontent

• 337 __ |a unmediated |b n |2 rdamedia

• 338 __ |a volume |b nc |2 rdacarrier

• 504 __ |a Includes bibliographical references (pages 237-260) and index.

• 520 8_ |a A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siecle to today. Departing from a longue dure perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS) The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs.

• 650 _0 |a Amateur films |x Social aspects.

• 650 _0 |a Video recordings |x Social aspects.

• 650 _0 |a Digital media |x Social aspects.

• 650 _0 |a Historiography |v Sources.

• 700 1_ |a Aasman, Susan, |e editor.

• 700 1_ |a Fickers, Andreas, |e editor.

• 700 1_ |a Wachelder, Joseph C. M. |q (Joseph Caspar Marie), |d 1958- |e editor.

• 920 __ |a 242450 |z 1