MARC状态：审校 文献类型：西文图书 浏览次数：30
- 题名/责任者:
- Corot : women / by Mary Morton ; with David Ogawa, Se?bastien Allard, and Heather McPherson.
- 版本说明:
- 1st edition.
- 出版发行项:
- Washington, DC : National Gallery of Art ; New Haven and London : Yale University Press, [2018]
- 出版发行项:
- ?2018
- ISBN:
- 9780300236736
- 载体形态项:
- 179 pages : illustrations ; 29 cm
- 个人责任者:
- Morton, Mary G., author.
- 附加个人名称:
- Ogawa, David, author.
- 附加个人名称:
- Allard, Se?bastien, author.
- 附加个人名称:
- McPherson, Heather, author.
- 附加团体名称:
- National Gallery of Art (U.S.), publisher.
- 附加团体名称:
- Yale University Press.
- 个人名称主题:
- Corot, Jean-Baptiste-Camille,-1796-1875-Exhibitions.
- 论题主题:
- Women in art-Exhibitions.
- 论题主题:
- Painting, French-19th century-Exhibitions.
- 中图法分类号:
- J231(565)
- 一般附注:
- Exhibition dates: National Gallery of Art, Washington, September 9 - December 30, 2018.
- 书目附注:
- Includes bibliographical references and index.
- 摘要附注:
- United here for the first time, the paintings of women by Jean-Baptiste-Camille Corot (1796-1875) constitute a small but stunning and important body of work. Corot: Women offers a new appraisal of these intriguing figures by one of the nineteenth century's great masters of landscape. The women painted by Corot read, dream, and gaze at the viewer, conveying an independent spirit and a sense of their inner lives. Corot's handling of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. Although these paintings constitute a relatively small and little-known portion of his oeuvre, they were of great importance to the founders of modernist painting, including Paul Ce?zanne, Pablo Picasso, and Georges Braque. This publication features more than forty paintings by Corot--from the single-figure bust and full-length images of the 1840s through the 1860s nudes and his allegorical series devoted to the model in the studio. Essays by leading experts address Corot's debt to the old masters and the impact of his pictures on both nineteenth- and twentieth-century painting, the relationship of his figural work to his more famous landscape practice, his response to the shifting social position of artists' models, and the incursion of photography into artistic practice in the Second Empire and early Third Republic--Provided by publisher.
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