MARC状态：审校 文献类型：西文图书 浏览次数：58
- 题名/责任者:
- Romanticism, self-canonization, and the business of poetry / Michael Gamer.
- 出版发行项:
- New York : Cambridge University Press, 2017.
- ISBN:
- 9781107158856 (hardcover)
- 载体形态项:
- xvi, 307 pages : illustrations ; 24 cm.
- 丛编说明:
- Cambridge studies in Romanticism ; 114
- 个人责任者:
- Gamer, Michael, author.
- 论题主题:
- English poetry-19th century-History and criticism.
- 论题主题:
- Romanticism-Great Britain.
- 论题主题:
- Literature and society-Great Britain-History-19th century.
- 论题主题:
- Poetry-Publishing-Great Britain-History-19th century.
- 论题主题:
- Anthologies-Publishing-Great Britain-History-19th century.
- 论题主题:
- Canon (Literature)
- 中图法分类号:
- I561.072
- 书目附注:
- Includes bibliographical references and index.
- 内容附注:
- Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems.
- 摘要附注:
- "This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers"--
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