MARC状态：审校 文献类型：西文图书 浏览次数：54
- 题名/责任者:
- Becoming property : art, theory, and law in early modern France / Katie Scott.
- 出版发行项:
- New Haven, CT : Yale University Press, 2018.
- 出版发行项:
- ?2018
- ISBN:
- 9780300222791
- ISBN:
- 0300222793
- 载体形态项:
- 384 pages : illustrations (some colour), portraits, facsimiles ; 27 cm
- 个人责任者:
- Scott, Katie, 1958- author.
- 论题主题:
- Intellectual property-France-History.
- 论题主题:
- Copyright-France-History.
- 论题主题:
- Art-France-History.
- 论题主题:
- Law and art-France-History.
- 中图法分类号:
- D956.534
- 书目附注:
- Includes bibliographical references (pages 319-374) and index.
- 摘要附注:
- This original and relevant book investigates the relationship between intellectual property and the visual arts in France from the 16th century to the French Revolution. It charts the early history of privilege legislation (today's copyright and patent) for books and inventions, and the translation of its legal terms by and for the image. Those terms are explored in their force of law and in relation to artistic discourse and creative practice in the early modern period. The consequences of commercially motivated law for art and its definitions, specifically its eventual separation from industry, are important aspects of the story. The artists who were caught up in disputes about intellectual property ranged from the officers of the Academy down to the lowest hacks of Grub Street. Lessons from this book may still apply in the 21st century; with the advent of inexpensive methods of reproduction, multiplication, and dissemination via digital channels, questions of intellectual property and the visual arts become important once more.
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