MARC状态：审校 文献类型：西文图书 浏览次数：57
- 题名/责任者:
- The Oxford handbook of music making and leisure / edited by Roger Mantie and Gareth Dylan Smith.
- 出版发行项:
- New York, NY : Oxford University Press, [2017]
- ISBN:
- 9780190244705
- 载体形态项:
- xviii, 672 pages : illustrations ; 26 cm.
- 变异题名:
- Music making and leisure
- 丛编说明:
- [Oxford handbooks]
- 丛编统一题名:
- Oxford handbooks.
- 附加个人名称:
- Mantie, Roger, editor.
- 附加个人名称:
- Smith, Gareth Dylan, editor.
- 论题主题:
- Music as recreation.
- 论题主题:
- Music-Social aspects.
- 中图法分类号:
- J60-052
- 一般附注:
- Series statement from book jacket.
- 书目附注:
- Includes bibliographical references and index.
- 内容附注:
- Relationships to and with music -- Involvement and meaning -- Scenes, spaces, and places -- On the diversity of music making and leisure.
- 摘要附注:
- "Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?""--publisher's website
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